The Geffen Playhouse kicked off its 2024-2025 season with The Brothers Size a modern-day fable about two brothers in the Deep South written by playwright and Oscar-winning screenwriter Tarell Alvin McCraney.
The Brothers Size, part of the trilogy “The Brother/Sister Plays,” is celebrating its 20th Anniversary
Directed by Bijan Sheibani, The Brothers Size “draws from the rich tradition of the Yoruba people of West Africa, The Brothers Size is a modern-day fable about two brothers in the Deep South. Ogun, the elder brother, embodies hard work and reliability, while Oshoosi, formerly incarcerated, is seemingly carefree and unpredictable. Their relationship is tested when the charismatic Elegba arrives, tempting Oshoosi back to his old habits. As the brothers wrestle with loyalty, freedom, and duty, their humanity is revealed through a raw and heartfelt exploration of the bonds of brotherhood.”
The Brothers Size stars Alani iLongwe, Malcolm Mays ( Power Book III: Raising Kanan) & Sheaun McKinney in a gripping tale of love, hope and redemption.
Ogun Size (Sheaun McKinney) has been taking care of his brother Oshoosi (Alani iLongwe) since the death of their mother. Ogun has a strong sense of pride in being Oshoosi’s primary caregiver but that pride has turned sour after Oshoosi lands in prison alongside his wayward friend Elegba (Malcolm Mays).
The story and acting are superb in the trio and its unofficial fourth member Stan Mathaban, who also is the sound designer and composer, manage to keep the audiences attention over the course of the 90 minute production (with no intermission).
McCraney delved deep into Ogun being a hard working, no nonsense guy. Oshoosi is the lackadaisacal, somewhat lazy brother, who has just come home from prison not sure of his next move but knows he needs a car and woman! Elegba is in despair because now that they are home, Oshoosi doesn’t need him as he did in prison.
The chemistry between McKinney and iLongwe is so authentic and pure you can’t help but to feel the love between them when they engage in trying a little tenderness with their rendition of “Try a Little Tenderness,” the Otis Redding classic.
But its the unsaid relationship between Elegba and Oshoosi that dominates the production. The feelings Elegba has for Oshoosi is palpable but Oshoosi appears afraid to speak up for himself and ratify his feelings for Elegba aren’t the same.
The Brothers Size touches on the choices we make – particularly with friendships – that could have unintended consequences when we ignore “red flags” that symbolize “danger” ahead.
Because this production is in the smaller theatre, it doesn’t benefit from obvious transitions on the stage so the trio shout them out to indicate to the audience the next scene which was initially wierd but became a fun part of the show as the audience continued to laugh on cue.
After having the pleasure of listening to McCraney speak about his work and the thought process behind it, it was easy to hear and experience his likeness through the characters he’s created. The intimate yet subtle gestures between Elegba and Oshoosi envelope men navigating their feelings for one another that could be confusing. Exploring those feelings during a time of duress (being in prison) then questioning your sexuality once you return home.
Oshoosi was eager to regain his connection with a woman – much to the chagrin of Elegba (whose name signifies the trickster) who may have one last trick up his sleeve to reunite with his unforbidden “love”.
Overall, the audience remained attentive and engaged. Some dialogue went on longer than what I believed it should, however, the topics are complex and need context to understand the agony and pain of what it takes to be a black man in society. Particularly one that exalts your guilt while ignoring your innocence.
‘The Brothers Size’
Where: Audrey Skirball Kenis Theater at Geffen Playhouse, 10886 Le Conte Ave., L.A.
When: 8 p.m. Wednesdays-Fridays, 3 and 8 p.m. Saturdays, 2 and 7 p.m. Sundays. Ends Sept. 8
Tickets: $45–$129
Contact: (310) 208- 2028 or www.geffenplayhouse.org
Running time: 1 hour, 30 minutes (no intermission)
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